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Šokio ir muzikos šventė PIRMŲJŲ TANGO FESTIVALIŲ AKIMIRKOS
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Eduardo Gimenez (Uruguay, Lithuania)
The tango explosion in Lithuania is paradoxically very “sui generis”. Anyone who was born and lived all his life between Argentinian and Uruguayan slums (where tango has still remained authentic) is used to see "men quartet”, or men tango orchestra, as well as any other forms of men’s tango performance, where the woman’s role is to impress the audience with her unexpected appearance as a leitmotif in the dance or in some parody. This leitmotif is the most expected part of the show, and the reason for all the failures in the "machos compadritos" lives. However, tango has always been a men’s thing, a hard pain in courage when fighting for the honor of one's lady and for oneself. In music and lyrics we can see the same fingers using a jackknife and a "bandoneon", wasted hands of working class playing guitar and producing masterpieces of music learnt by heart. Whatever role one plays in one’s life, this is the essence, the same passion, the same daily street history.
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